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维迪·巴万塔,弗兰基·达尔马万,丹尼尔·伊曼纽尔·奥克塔维亚努斯,史提夫·多米尼克·乔莉,雷扎·哈菲兹·兑·萨普特罗,伊万·戈洛菲耶夫,克里斯汀·克里斯托沃索,叶夫根尼·波德内贝斯尼,阿尔乔姆·克里文科,安娜·博格达沃纳
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吴建豪,刘畅,黄婷婷,孙芮,张思帆,张哲瀚,金星,吴振天,刘翔,郭晶晶,金大川,张美曦,汉斯,霍启刚,臧雅菲
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张家辉,陈伟霆,梁洛施,谭俊彦,姜皓文,周秀娜,杨祐宁,戴耀明,黄又南,李凯贤,张颕康,朱鉴然,杨天宇,张文杰,丘梓谦,许恩怡,麦子乐,李文标,苏宸褕,周汉宁,施祖男,李明宪,温绍平,吴瑞庭,卢惠光,唐诗咏,张雷,张慧仪,胡子彤,黎峻,洪助升,张国强
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张雨绮,黄曦彦,洪金宝,尹子维,宣璐,云千千,张陆,蔡祥宇,叶项明,马蜀君,刘亭希,姜彭,陈先民,邢泽阳,李政霖,方洋飞,张凯,叶新宇
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王传君,张钧甯,吴镇宇,王圣迪,蔡明,金士杰,黄明昊,徐娇,阿如那,王成思,柳小海,邢佳栋,李梦,沈浩,程茉,邓金煌,穆梦娇,顾明漪,卓依娜姆,王晓赟子
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Michael,Emery,大卫·J·考克,Cody,Sloan,Jes,Davis,Uki,Pavlovic,瑞安·切尔旺科,Miles,Crawford,Delilah,DuBois,Joe,Franjieh,贾斯汀·格哈德,Bobby,Appelbaum,Chris,Colon,Joe,Garland,Jill,Jose,塞莱斯特·奥利瓦,Taylor,Petracek,Livia,Scott,Vinny,Turnbull,Paul,Victor,Willie,D.
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安志杰,曾志伟,汪东城,蓝心妍,袁富华,林子善,何慈茵,王东,吴瑞庭,黎泽恩
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赵华为,王梓莼,陈紫函,罗嘉良,董璇,释彦能,梁小龙,李子雄,付美,高雄,汤镇业
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已完结
滨田范子,夛留见启助,七海奈奈
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藤敏也,信達谷圭,早瀬恵子
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张艺兴,金晨,咏梅,王传君,王大陆,周也,孙阳,邓萃雯,林威,黄艺馨,王议伟,辛鹏,汤加文,刘敬宇,林韦辰,生港帅,洪助升,李东海
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花江夏树,鬼头明里
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刘玥霏,周立波
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伊克·巴里霍尔兹,吉莉恩·贝尔,福琼·费姆斯特,韩吉洋,玛娅·鲁道夫,克里斯汀·韦格
《同性恋不是变态东西,变态的是他所活着的社会》名称:同性恋不是变态东西,变态的是他所活着的社会 | 别名:《同性恋不是变态东西,变态的是他所活着的社会完整版》《同性恋不是变态东西,变态的是他所活着的社会全集》《同性恋不是变态东西,变态的是他所活着的社会免费观看全集高清》《同性恋不是变态东西,变态的是他所活着的社会免费在线观看》 | 状态:正片 免费在线观看高清版
《同性恋不是变态东西,变态的是他所活着的社会》演员:BerrytBohlenBerndFeuerhelmErnstKuchlingNorbertLosch
《同性恋不是变态东西,变态的是他所活着的社会》导演:罗萨·冯·布劳恩海姆 | 上映时间:1971 | 国家/地区:西德
《同性恋不是变态东西,变态的是他所活着的社会》类型:剧情电影 | 语言/字幕:德语
《同性恋不是变态东西,变态的是他所活着的社会》由小二影视,小二电影,小二影院,夸克资源,夸克网盘资源,未删减版电影,迅雷下载,小二影视赞助出品
《同性恋不是变态东西,变态的是他所活着的社会》更新时间:2024-11-18
《同性恋不是变态东西,变态的是他所活着的社会》全集完整版介绍讲述了:ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.
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